My purpose in the researching and the writing of this thesis has been to investigate, and to try to explain, Frank Ankersmit's curious shift from his well expressed and firmly held narrativist position of "Narrative Logic", to an arguably contradictory, yet passionately held counter belief in the plausibility of a form of direct (sublime) historical experience - an authentic unmediated relationship with the past. I am, accordingly, presenting here what I believe to be the most adequate explanatory account of/for Ankersmit's intellectual journey. A journey which, in essence, constituted a substitution of his earlier representational, language centred philosophy of history for what might be taken as a new and mystical non-representational the...
The author takes into account Danto's and Ankersmit's versions of narrativism. The former develops a...
Also CSST Working Paper #66.http://deepblue.lib.umich.edu/bitstream/2027.42/51223/1/457.pd
We may consider narratology - the structural study of narratives - in two ways, each of them implyin...
Simon ZB. Experience as the Invisible Drive of Historical Writing. Journal of the Philosophy of Hist...
International audienceIn the past two and a half decades, Frank Ankersmit has developed a complex no...
The aim of the article is to present the originality of Frank Ankersmit’s depiction of historical ex...
In "Sublime historical experience" (2005), Frank Ankersmit argues that the past originates from an e...
Doubtless no one has written more over the last three decades on certain themes in the philosophy of...
This introduction discusses key elements in the connections between narrative and experience from th...
In this article, I question the unspoken assumption in historical theory that there is a trade-off b...
Simon ZB. The Expression of Historical Experience. History and Theory. 2015;54(2):178-194.The theory...
This paper examines narrativism’s claim that the historical past cannot be known once and for all be...
Both the (logical-)positivist and the hermeneuticist approach to historical writing felt a greater a...
This paper consists of two parts. In the first part, I give an in-depth comparison and analysis of t...
history Abstract In discussing the cultural history of the 19th century, Walter Benjamin diagnosed t...
The author takes into account Danto's and Ankersmit's versions of narrativism. The former develops a...
Also CSST Working Paper #66.http://deepblue.lib.umich.edu/bitstream/2027.42/51223/1/457.pd
We may consider narratology - the structural study of narratives - in two ways, each of them implyin...
Simon ZB. Experience as the Invisible Drive of Historical Writing. Journal of the Philosophy of Hist...
International audienceIn the past two and a half decades, Frank Ankersmit has developed a complex no...
The aim of the article is to present the originality of Frank Ankersmit’s depiction of historical ex...
In "Sublime historical experience" (2005), Frank Ankersmit argues that the past originates from an e...
Doubtless no one has written more over the last three decades on certain themes in the philosophy of...
This introduction discusses key elements in the connections between narrative and experience from th...
In this article, I question the unspoken assumption in historical theory that there is a trade-off b...
Simon ZB. The Expression of Historical Experience. History and Theory. 2015;54(2):178-194.The theory...
This paper examines narrativism’s claim that the historical past cannot be known once and for all be...
Both the (logical-)positivist and the hermeneuticist approach to historical writing felt a greater a...
This paper consists of two parts. In the first part, I give an in-depth comparison and analysis of t...
history Abstract In discussing the cultural history of the 19th century, Walter Benjamin diagnosed t...
The author takes into account Danto's and Ankersmit's versions of narrativism. The former develops a...
Also CSST Working Paper #66.http://deepblue.lib.umich.edu/bitstream/2027.42/51223/1/457.pd
We may consider narratology - the structural study of narratives - in two ways, each of them implyin...